David Nirenberg
Much of my work has focused on the ways in which Jewish, Christian, and Islamic cultures constitute themselves by interrelating with or thinking about each other. My first book, Communities of Violence: Persecution of Minorities in the Middle Ages, studied social interaction between the three groups within the context of Spain and France in order to understand the role of violence in shaping the possibilities for coexistence. In later projects I explored the work that “Judaism,” “Christianity,” and “Islam” do as figures in each other’s thought. One product of that approach, focused on art history, was (jointly with Herb Kessler) Judaism and Christian Art: Aesthetic Anxieties from the Catacombs to Colonialism (2011). In Anti-Judaism: The Western Tradition (2013), I attempted to apply the methodology to a very longue durée, studying the work done by pagan, Christian, Muslim, and secular thinking about Jews and Judaism in the history of ideas. More or less simultaneously in Neighboring Faiths: Christianity, Islam, and Judaism Medieval and Modern (2014), I tried to bring the social into conversation with the hermeneutic, in order to show how, in multireligious societies, interactions between lived experiences and conceptual categories shape how adherents of all three religions perceive themselves and each other. Then in Aesthetic Theology and Its Enemies: Judaism in Christian Painting, Poetry, and Politics (2015), I focused on how thinking about Judaism shaped the ways in which Christian cultures could imagine the possibilities and limits of community and communication.
